In the summer of 1960, Omar Paxson ’48, Sally Norton, and John Ingle ’50 launched a repertory theater company on the ƹƵ campus. It was a leap of faith on a Depression-era budget, fueled by their belief in the transformative power of live theater and conviction that hard work could accomplish anything. As Omar’s daughter and Sally’s son, we grew up in that world— two shy, awkward kids who found a friendly place to fit in among quirky and creative people.
Laura Paxson: In 1963, my mother [Helen Paxson ’52] played the Green Woman in Peer Gynt. She wore this long brown wig and my gosh, I loved that wig. I wore it around the house—it was as long as I was. They finally took it away from me because they were pulling three-foot hairs out of my baby brother’s mouth.
What a great article on Tammy Bird ’84 and her incredible dedication on behalf of her South L.A.-area high school students (“Catalyzing the Public Good,” Fall 2025). I can’t tell you how grateful I am to you in telling her story in the magazine. As I’m sure you are aware, it was the 1992 Rodney King incident and resulting neighborhood riots that brought Mike Hoover ’65 into the story.
As anyone looking for a parking space on lower campus while the cameras are rolling could tell you, it’s been a busy year for film production at Occidental in the greatest burst of activity since the mid-’90s heyday of Beverly Hills, 90210.
Derek Jimenez ’27 can sum up his Occidental experience in one word: “unbelievable.”
A first-generation college student, Derek is an art and art history and urban and environmental policy double major from Wellesley, Mass. He was raised by a single mother and grew up in government-subsidized housing in an affluential community. After pursuing a master’s in architecture, he plans to spend his career reimagining affordable living, designing homes where families can feel pride.
In my daily interactions with students at Occidental—whether in class, at an event on campus, or walking across the Quad—I am continually reminded of the value of a liberal arts education. Despite the ongoing challenges facing higher education, an urban liberal arts college such as ours is a powerful model. It equips students with the skills, perspective, and adaptability needed to lead lives of purpose and make a meaningful impact in the world.
Despite living in Salt Lake City, Utah—an hour’s drive from the birthplace of the Slamdance Film Festival, the upstart alternative to the older and better-heeled Sundance—“I had never heard of Slamdance,” says Max Brown ’25, who majored in media arts and culture (MAC) at Oxy. “Sundance was on my radar, but I didn’t experience it much—festival passes were so expensive.”
ƹƵ hosted three Latina pioneers in the judiciary—U.S. Supreme Court Justice Sonia Sotomayor, who was nominated by President Barack Obama ’83 to the nation’s highest court in 2009; Patricia Guerrero, chief justice of the Supreme Court of California since 2023; and Mary Murguia, chief judge of the U.S. Ninth Circuit Court of Appeals since 2021—for a wide-ranging discussion on heritage, education, and public service on February 6 in Thorne Hall.
This summer, 10 Occidental students will get an exclusive opportunity to work behind the scenes of the Hollywood Bowl, Walt Disney Concert Hall, or The Ford—taking on meaningful projects, receiving mentorship from industry professionals, and immersing themselves in the creativity and excellence of the LA Phil.
When Chino High School class valedictorian Dale Morter ’56 visited Occidental for the first time, he had all but chosen Pomona. But a teacher at Chino—an Occidental graduate—urged him to take a look at Oxy. He got a campus tour from Dean of Men Ben Culley, who offered him a scholarship that same day.
“If I went to Pomona, I would have lived at home,” Morter recalls. Instead, he chose Oxy, where he majored in psychology, joined ATO fraternity, and eventually became a “dorm daddy” (’50s speak for resident assistant). “It worked out really well,” he says.