Fertile Imagination
As a student filmmaker at Occidental, Thom Harp ’92’s storytelling choices gravitated toward affairs of the heart—even if his approach to the subject matter feels a little jaded in hindsight. His senior comps film, Be My Girl, was about a man who is in love with a blow-up doll and the marital troubles that ensued. An earlier short, The Proof Is in the Pudding, depicted a 1950s housewife who poisons her husband with the titular dessert. “I was not in a good place with relationships,” he admits with a laugh.